The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 3
Pagina 23
... derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán ...
... derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán ...
Pagina 35
... derealized them . For ideas are really unreal . To regard them as reality is an idealization , a candid falsification . On the other hand , making them live in their very unreality is - let us express it this way - realizing the unreal ...
... derealized them . For ideas are really unreal . To regard them as reality is an idealization , a candid falsification . On the other hand , making them live in their very unreality is - let us express it this way - realizing the unreal ...
Pagina 95
... derealized and confined within the inner world of the novel ; i.e. , if it remains without actual and effective validity . In other words , a novel can contain as much sociology as it desires , but the novel itself cannot be ...
... derealized and confined within the inner world of the novel ; i.e. , if it remains without actual and effective validity . In other words , a novel can contain as much sociology as it desires , but the novel itself cannot be ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth