The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 58
The concept “ red ” contains no red ; it is merely a movement of the mind toward
the color of this name , a sign pointing in the direction of this color . It has been
said by Wundt , if I remember right , that the most primitive form of a concept is the
...
The concept “ red ” contains no red ; it is merely a movement of the mind toward
the color of this name , a sign pointing in the direction of this color . It has been
said by Wundt , if I remember right , that the most primitive form of a concept is the
...
Pagina 95
Everything points in this direction . The interest in the outer mechanism of the plot
is today reduced to a minimum . All the better : the novel must now revolve about
the superior interest emanating from the inner mechanism of the personages .
Everything points in this direction . The interest in the outer mechanism of the plot
is today reduced to a minimum . All the better : the novel must now revolve about
the superior interest emanating from the inner mechanism of the personages .
Pagina 147
Sometimes a man ' s vocation does not run in the direction of his gifts , sometimes
it runs contrary to them . There are cases - such as Goethe ' s — in which the
multiplicity of gifts troubles and disorients the vocation , or at least the man who is
...
Sometimes a man ' s vocation does not run in the direction of his gifts , sometimes
it runs contrary to them . There are cases - such as Goethe ' s — in which the
multiplicity of gifts troubles and disorients the vocation , or at least the man who is
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |