The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 18
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
Pagina 58
... direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of a concept is the pointing gesture of the index finger . An infant still tries to take hold of any object that enters his field ...
... direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of a concept is the pointing gesture of the index finger . An infant still tries to take hold of any object that enters his field ...
Pagina 95
... direction . The interest in the outer mechanism of the plot is today reduced to a minimum . All the better : the novel must now re- volve about the superior interest emanating from the inner mechanism of the personages . Not in the ...
... direction . The interest in the outer mechanism of the plot is today reduced to a minimum . All the better : the novel must now re- volve about the superior interest emanating from the inner mechanism of the personages . Not in the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth