The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 14
... distance be- tween each person and the event they all witness . For the wife of the dying man the distance shrinks to almost nothing . What is happening so tortures her soul and absorbs her mind that it becomes one with her person . Or ...
... distance be- tween each person and the event they all witness . For the wife of the dying man the distance shrinks to almost nothing . What is happening so tortures her soul and absorbs her mind that it becomes one with her person . Or ...
Pagina 26
... distance . Each art operates a magic lantern that removes and transfigures its ob- jects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking , an awkward ...
... distance . Each art operates a magic lantern that removes and transfigures its ob- jects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking , an awkward ...
Pagina 41
... distance . Keenest con- tempt is felt for nineteenth century procedures although they contain already a noticeable dose of opposition to older styles . On the other hand , the new sensibility exhibits a somewhat suspicious enthusiasm ...
... distance . Keenest con- tempt is felt for nineteenth century procedures although they contain already a noticeable dose of opposition to older styles . On the other hand , the new sensibility exhibits a somewhat suspicious enthusiasm ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth