The dehumanization of art, and other writings on art and culture |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 14
As for the points of view of the four persons present at the deathbed, the clearest
means of distinguishing them is by measuring one of their dimensions, namely
the emotional distance between each person and the event they all witness.
As for the points of view of the four persons present at the deathbed, the clearest
means of distinguishing them is by measuring one of their dimensions, namely
the emotional distance between each person and the event they all witness.
Pagina 16
In the painter we find a maximum of distance and a minimum of feeling
intervention. The inevitable dullness of this analysis will, I hope, be excused if it
now enables us to speak in a clear and precise way of a scale of emotional
distances ...
In the painter we find a maximum of distance and a minimum of feeling
intervention. The inevitable dullness of this analysis will, I hope, be excused if it
now enables us to speak in a clear and precise way of a scale of emotional
distances ...
Pagina 26
Seeing requires distance. Each art operates a magic lantern that removes and
transfigures its objects. On its screen they stand aloof, inmates of an inaccessible
world, in an absolute distance. When this derealization is lacking, an awkward ...
Seeing requires distance. Each art operates a magic lantern that removes and
transfigures its objects. On its screen they stand aloof, inmates of an inaccessible
world, in an absolute distance. When this derealization is lacking, an awkward ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |