The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 14
... the points of view of the four persons present at the deathbed , the clearest means of distinguishing them is by measuring one of their dimensions , namely the emotional distance between each person and the event they all witness .
... the points of view of the four persons present at the deathbed , the clearest means of distinguishing them is by measuring one of their dimensions , namely the emotional distance between each person and the event they all witness .
Pagina 16
In the painter we find a maximum of distance and a minimum of feeling intervention . ... I hope , be excused if it now enables us to speak in a clear and precise way of a scale of emotional distances between ourselves and reality .
In the painter we find a maximum of distance and a minimum of feeling intervention . ... I hope , be excused if it now enables us to speak in a clear and precise way of a scale of emotional distances between ourselves and reality .
Pagina 26
Seeing requires distance . Each art operates a magic lantern that removes and transfigures its objects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking ...
Seeing requires distance . Each art operates a magic lantern that removes and transfigures its objects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consequence consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young