The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 108
... distant vision is already on the point of victory . In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on architectonic perspective as on a crutch . Without those columns and ...
... distant vision is already on the point of victory . In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on architectonic perspective as on a crutch . Without those columns and ...
Pagina 112
... distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air , transformed into ...
... distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air , transformed into ...
Pagina 113
... distant things . In Ladies in Waiting and The Spinners , we see the satisfaction with which the artist has ... vision or vision in modo recto . But behind the axial ray the pupil sends out many others at oblique angles , enabling ...
... distant things . In Ladies in Waiting and The Spinners , we see the satisfaction with which the artist has ... vision or vision in modo recto . But behind the axial ray the pupil sends out many others at oblique angles , enabling ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth