The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 36
... drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas ...
... drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas ...
Pagina 64
... drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion rather than to contemplation . However , psychological analysis is not ...
... drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion rather than to contemplation . However , psychological analysis is not ...
Pagina 174
... drama ! Because there is drama only when we do not know what is going to happen , so that every instant is pure peril and shuddering risk . While the tiger cannot cease being a tiger , cannot be detigered , man lives in the perpetual ...
... drama ! Because there is drama only when we do not know what is going to happen , so that every instant is pure peril and shuddering risk . While the tiger cannot cease being a tiger , cannot be detigered , man lives in the perpetual ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth