The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 3
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
Pagina 22
... effect the sublime escape . A reversed Odysseus , he must free himself from his daily Penelope and sail through reefs and rocks to Circe's Faery . When , for a mo- ment , he succeeds in escaping the perpetual am- bush , let us not ...
... effect the sublime escape . A reversed Odysseus , he must free himself from his daily Penelope and sail through reefs and rocks to Circe's Faery . When , for a mo- ment , he succeeds in escaping the perpetual am- bush , let us not ...
Pagina 42
... effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized art and compelled it to invent ...
... effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized art and compelled it to invent ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth