The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 16
... essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed . Among the diverse aspects of reality we find one from which all the others derive and which they all presuppose : " lived " reality ...
... essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed . Among the diverse aspects of reality we find one from which all the others derive and which they all presuppose : " lived " reality ...
Pagina 82
... essential to the modern novel . It characterizes Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production ...
... essential to the modern novel . It characterizes Don Quixote in contrast to the romances of chivalry . Indeed , were we to determine the conditions of the modern novel , we should only need to ascertain what a literary prose production ...
Pagina 165
... essential alteración.2 2. Literally , " otheration . " The Spanish word has , in addition to the meaning of English " alteration , " that of As we contemplate this fate of unremitting dis- quietude , The Self and the Other 165.
... essential alteración.2 2. Literally , " otheration . " The Spanish word has , in addition to the meaning of English " alteration , " that of As we contemplate this fate of unremitting dis- quietude , The Self and the Other 165.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth