The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 74
... essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support , of something like the ribs in an umbrella . Deprived of its bones , the body of the novel is converted into a cloudy , shape ...
... essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support , of something like the ribs in an umbrella . Deprived of its bones , the body of the novel is converted into a cloudy , shape ...
Pagina 164
... essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see , comparing them with ourselves , anything but gross ...
... essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see , comparing them with ourselves , anything but gross ...
Pagina 166
... essential difference - that man can , from time to time , suspend his direct con- cern with things , detach himself from his surround- ings , ignore them , and subjecting his faculty of attention to a radical shift - incomprehensible ...
... essential difference - that man can , from time to time , suspend his direct con- cern with things , detach himself from his surround- ings , ignore them , and subjecting his faculty of attention to a radical shift - incomprehensible ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth