The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 86
... everything . Any at- tempt to merge the two worlds only leads to their mutual annihilation . The author , we feel ... everything must be what it is and renounce being something else ? There are people who want to be everything ...
... everything . Any at- tempt to merge the two worlds only leads to their mutual annihilation . The author , we feel ... everything must be what it is and renounce being something else ? There are people who want to be everything ...
Pagina 105
... everything in these pictures is in one plane , that is , everything is painted from close - up . The smallest figure , there in the distance , is as complete , spherical and de- tached as the most important . The painter seems to have ...
... everything in these pictures is in one plane , that is , everything is painted from close - up . The smallest figure , there in the distance , is as complete , spherical and de- tached as the most important . The painter seems to have ...
Pagina 183
... everything , with absolutely everything , that man does . Hence I have said that the substance of man is purely and simply danger . Man always travels along preci- pices , and , whether he will or no , his truest obliga- tion is to keep ...
... everything , with absolutely everything , that man does . Hence I have said that the substance of man is purely and simply danger . Man always travels along preci- pices , and , whether he will or no , his truest obliga- tion is to keep ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth