The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 83
... everything in our world contracted and shrank in the same proportion , we should not no- tice the difference . The interdependence between horizon and in- terest - that each horizon has its interest - is the vital law thanks to which in ...
... everything in our world contracted and shrank in the same proportion , we should not no- tice the difference . The interdependence between horizon and in- terest - that each horizon has its interest - is the vital law thanks to which in ...
Pagina 86
... everything . Any at- tempt to merge the two worlds only leads to their mutual annihilation . The author , we feel ... everything must be what it is and renounce being something else ? There are people who want to be everything . Not ...
... everything . Any at- tempt to merge the two worlds only leads to their mutual annihilation . The author , we feel ... everything must be what it is and renounce being something else ? There are people who want to be everything . Not ...
Pagina 183
... everything , with absolutely everything , that man does . Hence I have said that the substance of man is purely and simply danger . Man always travels along preci- pices , and , whether he will or no , his truest obliga- tion is to keep ...
... everything , with absolutely everything , that man does . Hence I have said that the substance of man is purely and simply danger . Man always travels along preci- pices , and , whether he will or no , his truest obliga- tion is to keep ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young