The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 84
... existence proper . Were someone to find us in just that moment , our dilated pupils would betray our shipwrecked condition . Novel I call the literary prose work that produces this effect . And a novel that lacks this glorious and ...
... existence proper . Were someone to find us in just that moment , our dilated pupils would betray our shipwrecked condition . Novel I call the literary prose work that produces this effect . And a novel that lacks this glorious and ...
Pagina 85
... existence depends . How can we care about the imaginary destinies of his personages when the author forces us to face the acute problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
... existence depends . How can we care about the imaginary destinies of his personages when the author forces us to face the acute problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
Pagina 133
... existence with substitutes for what would have been his authentic life ? Perhaps the most tragic thing about the human situation is that a man may try to supplant himself , that is , to falsify his life.- Do we know of any other reality ...
... existence with substitutes for what would have been his authentic life ? Perhaps the most tragic thing about the human situation is that a man may try to supplant himself , that is , to falsify his life.- Do we know of any other reality ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth