The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 6
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
... feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to ... feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men ...
Pagina 74
... feel convinced that the permissible measure of slowness is overstepped . Plot there is almost none ; and not a whit of dra- matic interest . Thus the novel is reduced to pure motionless description , and the diffuse , atmospheric ...
... feel convinced that the permissible measure of slowness is overstepped . Plot there is almost none ; and not a whit of dra- matic interest . Thus the novel is reduced to pure motionless description , and the diffuse , atmospheric ...
Pagina 176
... feeling , like a murmuring counterpoint in our entrails , that we are only sure of insecurity . No small part of ... feel and create the pharmaceutical Monsieur Homais , the net result of progressivism ! The pro- gressivist idea ...
... feeling , like a murmuring counterpoint in our entrails , that we are only sure of insecurity . No small part of ... feel and create the pharmaceutical Monsieur Homais , the net result of progressivism ! The pro- gressivist idea ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth