The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 6
When a man dislikes a work of art , but understands it , he feels superior to it ; and
there is no reason for indignation . ... Accustomed to ruling supreme , the masses
feel that the new art , which is the art of a privileged aristocracy of finer senses ...
When a man dislikes a work of art , but understands it , he feels superior to it ; and
there is no reason for indignation . ... Accustomed to ruling supreme , the masses
feel that the new art , which is the art of a privileged aristocracy of finer senses ...
Pagina 74
Reading this “ remembrance of things past ” we feel convinced that the
permissible measure of slowness is overstepped . Plot there is almost none ; and
not a whit of dramatic interest . Thus the novel is reduced to pure motionless
description ...
Reading this “ remembrance of things past ” we feel convinced that the
permissible measure of slowness is overstepped . Plot there is almost none ; and
not a whit of dramatic interest . Thus the novel is reduced to pure motionless
description ...
Pagina 176
The fate of culture , the destiny of man , depends upon our maintaining that
dramatic consciousness ever alive in our inmost being , and upon our feeling ,
like a murmuring counterpoint in our entrails , that we are only sure of insecurity .
The fate of culture , the destiny of man , depends upon our maintaining that
dramatic consciousness ever alive in our inmost being , and upon our feeling ,
like a murmuring counterpoint in our entrails , that we are only sure of insecurity .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |