The dehumanization of art, and other writings on art and culture |
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Pagina 6
When a man dislikes a work of art, but understands it, he feels superior to it; and
there is no reason for indignation. ... Accustomed to ruling supreme, the masses
feel that the new art, which is the art of a privileged aristocracy of finer senses, ...
When a man dislikes a work of art, but understands it, he feels superior to it; and
there is no reason for indignation. ... Accustomed to ruling supreme, the masses
feel that the new art, which is the art of a privileged aristocracy of finer senses, ...
Pagina 74
Reading this "remembrance of things past" we feel convinced that the
permissible measure of slowness is overstepped. Plot there is almost none; and
not a whit of dramatic interest. Thus the novel is reduced to pure motionless
description, ...
Reading this "remembrance of things past" we feel convinced that the
permissible measure of slowness is overstepped. Plot there is almost none; and
not a whit of dramatic interest. Thus the novel is reduced to pure motionless
description, ...
Pagina 125
The rest were proletarians- descendants, but not heirs. Our heritage consisted in
our methods— that is, in the classics. But the European crisis, which is the world
crisis, may be diagnosed as a crisis of all classicism. We feel that the traditional ...
The rest were proletarians- descendants, but not heirs. Our heritage consisted in
our methods— that is, in the classics. But the European crisis, which is the world
crisis, may be diagnosed as a crisis of all classicism. We feel that the traditional ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |