The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 58
... figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things that are there need not be related . Hence one of the major errors a novelist can commit consists ...
... figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things that are there need not be related . Hence one of the major errors a novelist can commit consists ...
Pagina 64
... figures . In the last instance , French theater is ethical contemplation , not vital emotion like the Spanish . What it presents is not a series of ethically neutral incidents but an exemplary type of reaction , a repertory of normative ...
... figures . In the last instance , French theater is ethical contemplation , not vital emotion like the Spanish . What it presents is not a series of ethically neutral incidents but an exemplary type of reaction , a repertory of normative ...
Pagina 68
... figures shine with life and color , noblemen and commoners , archbishops and sea captains queens and country lasses , a restless , garrulous , exu- berant , extravagant lot , madly swirling about like infusoria in a drop of water . To ...
... figures shine with life and color , noblemen and commoners , archbishops and sea captains queens and country lasses , a restless , garrulous , exu- berant , extravagant lot , madly swirling about like infusoria in a drop of water . To ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth