The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 58
... figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things that are there need not be related . Hence one of the major errors a novelist can commit consists ...
... figures in a novel , not to be told it . Any reference , allusion , narration only emphasizes the absence of what it alludes to . Things that are there need not be related . Hence one of the major errors a novelist can commit consists ...
Pagina 64
... figures . In the last instance , French theater is ethical contemplation , not vital emotion like the Spanish . What it presents is not a series of ethically neutral incidents but an exemplary type of reaction , a repertory of normative ...
... figures . In the last instance , French theater is ethical contemplation , not vital emotion like the Spanish . What it presents is not a series of ethically neutral incidents but an exemplary type of reaction , a repertory of normative ...
Pagina 68
... figures shine with life and color , noblemen and commoners , archbishops and sea captains queens and country lasses , a restless , garrulous , exu- berant , extravagant lot , madly swirling about like infusoria in a drop of water . To ...
... figures shine with life and color , noblemen and commoners , archbishops and sea captains queens and country lasses , a restless , garrulous , exu- berant , extravagant lot , madly swirling about like infusoria in a drop of water . To ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young