The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 177
... fin de siècle , ” and which will be known in history - it culminated about 1900 -as the period in which man felt himself most secure and , at the same time , as the epoch - with its stiff shirts and frock - coats , its femmes fatales ...
... fin de siècle , ” and which will be known in history - it culminated about 1900 -as the period in which man felt himself most secure and , at the same time , as the epoch - with its stiff shirts and frock - coats , its femmes fatales ...
Pagina 178
... fin de siècle period , they play at the dangerous life . Enough of all this - thought is not a gift to man but a laborious , precarious and volatile acquisition . With this idea in mind , you will understand that I see an element of ...
... fin de siècle period , they play at the dangerous life . Enough of all this - thought is not a gift to man but a laborious , precarious and volatile acquisition . With this idea in mind , you will understand that I see an element of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth