The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 53
... genre may wear out . One cannot dismiss the subject by comfortably assuming that artistic creation depends on nothing but the artist's personal power called inspiration or talent - in which case decadence of a genre would be due ...
... genre may wear out . One cannot dismiss the subject by comfortably assuming that artistic creation depends on nothing but the artist's personal power called inspiration or talent - in which case decadence of a genre would be due ...
Pagina 54
... genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain stock of possibilities ; and ...
... genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain stock of possibilities ; and ...
Pagina 91
... genre , good novels and poor ones differ very much indeed . Hence the opportunity of achieving the perfect work is excel- lent - though extremely precarious . For it would be rash to assume that the season of decline is un- favorable in ...
... genre , good novels and poor ones differ very much indeed . Hence the opportunity of achieving the perfect work is excel- lent - though extremely precarious . For it would be rash to assume that the season of decline is un- favorable in ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young