The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 53
... genre may wear out . One cannot dismiss the subject by comfortably assuming that artistic creation depends on nothing but the artist's personal power called inspiration or talent - in which case decadence of a genre would be due ...
... genre may wear out . One cannot dismiss the subject by comfortably assuming that artistic creation depends on nothing but the artist's personal power called inspiration or talent - in which case decadence of a genre would be due ...
Pagina 54
... genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain stock of possibilities ; and ...
... genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain stock of possibilities ; and ...
Pagina 91
... genre , good novels and poor ones differ very much indeed . Hence the opportunity of achieving the perfect work is excel- lent - though extremely precarious . For it would be rash to assume that the season of decline is un- favorable in ...
... genre , good novels and poor ones differ very much indeed . Hence the opportunity of achieving the perfect work is excel- lent - though extremely precarious . For it would be rash to assume that the season of decline is un- favorable in ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth