The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 75
... gives us so abundantly is the truly delicious fare . What he gives us is a microscopic analysis of human souls . With a pinch of drama - really , we should have been satisfied with almost nothing - the work would have been perfect . How ...
... gives us so abundantly is the truly delicious fare . What he gives us is a microscopic analysis of human souls . With a pinch of drama - really , we should have been satisfied with almost nothing - the work would have been perfect . How ...
Pagina 167
... give a material expression - since we can give no other - to our sus- picion that ideas are in no place in space , which is pure exteriority ; but that , in the face of the exterior world , they constitute another world which is not in ...
... give a material expression - since we can give no other - to our sus- picion that ideas are in no place in space , which is pure exteriority ; but that , in the face of the exterior world , they constitute another world which is not in ...
Pagina 168
... give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity for somnolence which the animal exhib- its , the ...
... give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity for somnolence which the animal exhib- its , the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth