The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 75
What he gives us is a microscopic analysis of human souls . With a pinch of
drama - really , we should have been satisfied with almost nothing - the work
would have been perfect . How is this to be explained ? Why do we find it difficult
to read ...
What he gives us is a microscopic analysis of human souls . With a pinch of
drama - really , we should have been satisfied with almost nothing - the work
would have been perfect . How is this to be explained ? Why do we find it difficult
to read ...
Pagina 167
In this fashion we give a material expression - since we can give no other - to our
suspicion that ideas are in no place in space , which is pure exteriority ; but that ,
in the face of the exterior world , they constitute another world which is not in ...
In this fashion we give a material expression - since we can give no other - to our
suspicion that ideas are in no place in space , which is pure exteriority ; but that ,
in the face of the exterior world , they constitute another world which is not in ...
Pagina 168
Hence when things cease to threaten it or caress it ; when they give it a holiday ;
in short , when the other ceases to move it and manage it , the poor animal has
virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity
...
Hence when things cease to threaten it or caress it ; when they give it a holiday ;
in short , when the other ceases to move it and manage it , the poor animal has
virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young