The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 31
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind . This way ...
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind . This way ...
Pagina 42
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
Pagina 58
... hand - a symbolic capture . The true function of concepts is to point or to indicate . Science is con- cerned not with things but with the system of signs it can substitute for things . Art , on the other hand , urged by a magnificent ...
... hand - a symbolic capture . The true function of concepts is to point or to indicate . Science is con- cerned not with things but with the system of signs it can substitute for things . Art , on the other hand , urged by a magnificent ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young