The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 11
... human , all too human , ele- ments predominant in romantic and naturalistic production . And in this process a point can be reached in which the human content has grown so thin that it is negligible . We then have an art which can be ...
... human , all too human , ele- ments predominant in romantic and naturalistic production . And in this process a point can be reached in which the human content has grown so thin that it is negligible . We then have an art which can be ...
Pagina 17
... human " reality . The painter who im- passively witnesses the death scene appears " inhu- man . ” In other words , the human point of view is that in which we " live " situations , persons , things . And , vice versa , realities - a ...
... human " reality . The painter who im- passively witnesses the death scene appears " inhu- man . ” In other words , the human point of view is that in which we " live " situations , persons , things . And , vice versa , realities - a ...
Pagina 20
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth