The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 11
... human , all too human , ele- ments predominant in romantic and naturalistic production . And in this process a point can be reached in which the human content has grown so thin that it is negligible . We then have an art which can be ...
... human , all too human , ele- ments predominant in romantic and naturalistic production . And in this process a point can be reached in which the human content has grown so thin that it is negligible . We then have an art which can be ...
Pagina 17
... human " reality . The painter who im- passively witnesses the death scene appears " inhu- man . " In other words , the human point of view is that in which we " live " situations , persons , things . And , vice versa , realities — a ...
... human " reality . The painter who im- passively witnesses the death scene appears " inhu- man . " In other words , the human point of view is that in which we " live " situations , persons , things . And , vice versa , realities — a ...
Pagina 20
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young