The dehumanization of art, and other writings on art and culture |
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Pagina 11
Their enjoyment does not depend upon our power to focus on transparencies
and images, a power characteristic of the artistic sensibility; all they require is
human sensibility and willingness to sympathize with our neighbor's joys and
worries.
Their enjoyment does not depend upon our power to focus on transparencies
and images, a power characteristic of the artistic sensibility; all they require is
human sensibility and willingness to sympathize with our neighbor's joys and
worries.
Pagina 17
Instead of "lived" reality we may say "human" reality. The painter who impassively
witnesses the death scene appears "inhuman." In other words, the human point
of view is that in which we "live" situations, persons, things. And, vice versa ...
Instead of "lived" reality we may say "human" reality. The painter who impassively
witnesses the death scene appears "inhuman." In other words, the human point
of view is that in which we "live" situations, persons, things. And, vice versa ...
Pagina 20
the painter is bungling and fails to render the natural (natural = human) thing
because he deviates from it, but that these deviations point in a direction opposite
to that which would lead to reality. Far from going more or less clumsily toward ...
the painter is bungling and fails to render the natural (natural = human) thing
because he deviates from it, but that these deviations point in a direction opposite
to that which would lead to reality. Far from going more or less clumsily toward ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |