The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 11
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor ' s joys and ...
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor ' s joys and ...
Pagina 17
Instead of “ lived ” reality we may say “ human ” reality . The painter who
impassively witnesses the death scene appears “ inhuman . ” In other words , the
human point of view is that in which we “ live ” situations , persons , things . And ,
vice ...
Instead of “ lived ” reality we may say “ human ” reality . The painter who
impassively witnesses the death scene appears “ inhuman . ” In other words , the
human point of view is that in which we “ live ” situations , persons , things . And ,
vice ...
Pagina 20
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young