The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 4
... ical consequences . In fact , the unpopularity of the new music has its counterpart in a similar unpopu- larity of the other Muses . All modern art is unpopu- lar , and it is so not accidentally and by chance , but essentially and by ...
... ical consequences . In fact , the unpopularity of the new music has its counterpart in a similar unpopu- larity of the other Muses . All modern art is unpopu- lar , and it is so not accidentally and by chance , but essentially and by ...
Pagina 85
... ical , symbolical , or satirical . For those themes are of such a nature that they cannot be dealt with ficti- tiously , they have meaning only in relation to the actual horizon of each individual . As soon as they are broached we feel ...
... ical , symbolical , or satirical . For those themes are of such a nature that they cannot be dealt with ficti- tiously , they have meaning only in relation to the actual horizon of each individual . As soon as they are broached we feel ...
Pagina 145
... ical springs of enthusiasm , with a splendid character -energetic , pure , generous , and jovial - but ... perpetually untrue to his destiny . Hence his de- pressions , his stiffness , his distance from his sur- roundings , his ...
... ical springs of enthusiasm , with a splendid character -energetic , pure , generous , and jovial - but ... perpetually untrue to his destiny . Hence his de- pressions , his stiffness , his distance from his sur- roundings , his ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth