The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 85
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real ...
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real ...
Pagina 86
... imaginary life . This seems to me the cause of the enormous diffi- culty -- if not impossibility - of writing a good histori- cal novel . The aspiration that the imagined cosmos shall at the same time be historically correct leads to a ...
... imaginary life . This seems to me the cause of the enormous diffi- culty -- if not impossibility - of writing a good histori- cal novel . The aspiration that the imagined cosmos shall at the same time be historically correct leads to a ...
Pagina 93
... IMAGINARY PSYCHOLOGY These notes on the novel have so resolutely an air of being interminable that it becomes necessary to cut them short . One more step would prove fatal . So far they have moved on a plane of ample gener- ality ...
... IMAGINARY PSYCHOLOGY These notes on the novel have so resolutely an air of being interminable that it becomes necessary to cut them short . One more step would prove fatal . So far they have moved on a plane of ample gener- ality ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth