The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 80
... imaginary the author must mobilize in us some imaginary interest , a bit of excitement that gives our faculty of perceiving a certain guidance and a dynamic support . The reader's thirst for dramatic action has subsided with the ...
... imaginary the author must mobilize in us some imaginary interest , a bit of excitement that gives our faculty of perceiving a certain guidance and a dynamic support . The reader's thirst for dramatic action has subsided with the ...
Pagina 85
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real existence ...
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real existence ...
Pagina 92
... imaginary psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the ...
... imaginary psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young