The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 80
... imaginary the author must mobilize in us some imaginary interest , a bit of excitement that gives our faculty of perceiving a certain guidance and a dynamic support . The reader's thirst for dramatic action has subsided with the ...
... imaginary the author must mobilize in us some imaginary interest , a bit of excitement that gives our faculty of perceiving a certain guidance and a dynamic support . The reader's thirst for dramatic action has subsided with the ...
Pagina 85
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real existence ...
... imaginary noonday world . In my judgment , no writer can be called a novel- ist unless he possesses the gift of ... imaginary sphere of the novel and compelled to establish contact with the absolute realm on which our real existence ...
Pagina 92
... imaginary psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the ...
... imaginary psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth