The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 95
... inner world of the novel ; i.e. , if it remains without actual and effective validity . In other words , a novel can contain as much sociology as it desires , but the novel itself cannot be sociological . The dose of alien elements a ...
... inner world of the novel ; i.e. , if it remains without actual and effective validity . In other words , a novel can contain as much sociology as it desires , but the novel itself cannot be sociological . The dose of alien elements a ...
Pagina 140
... inner destiny sets it . It is through this that , at the end of the para- graph , Goethe emerges from his confusion : " right is what accords with " the individual ( was ihm gemäss ist ) . For the imperative of intellectual and abstract ...
... inner destiny sets it . It is through this that , at the end of the para- graph , Goethe emerges from his confusion : " right is what accords with " the individual ( was ihm gemäss ist ) . For the imperative of intellectual and abstract ...
Pagina 168
... inner world . That is why the animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue ...
... inner world . That is why the animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth