The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 79
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
Pagina 82
... interest- ing by itself , by virtue of its peculiar content , and that any horizon , wide or narrow , brilliant or dull , varied or monotonous , may possess an interest of its own which merely requires a vital adjustment to be ...
... interest- ing by itself , by virtue of its peculiar content , and that any horizon , wide or narrow , brilliant or dull , varied or monotonous , may possess an interest of its own which merely requires a vital adjustment to be ...
Pagina 83
... interest him in the inhabitants of this realm . For , however admirable these may be , they cannot hold their own against the beings of flesh and bone who form the reader's daily surroundings and constantly claim his interest . To turn ...
... interest him in the inhabitants of this realm . For , however admirable these may be , they cannot hold their own against the beings of flesh and bone who form the reader's daily surroundings and constantly claim his interest . To turn ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth