The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 110
... light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro ...
... light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro ...
Pagina 111
... light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a man of disdainful genius , resolved to have no interest in bodies , to deny their pretensions ...
... light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a man of disdainful genius , resolved to have no interest in bodies , to deny their pretensions ...
Pagina 112
... lights on something , it does not fix upon it , and , consequently , that something is converted , not into a ... light , to pure sparks of color . On the other hand , his picture may be viewed from a single point of view , as a ...
... lights on something , it does not fix upon it , and , consequently , that something is converted , not into a ... light , to pure sparks of color . On the other hand , his picture may be viewed from a single point of view , as a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth