The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 53
... literary genre of the novel . When I hear a friend , particularly if he is a young writer , calmly announce that he is working on a novel I am appalled , and I feel that in his case I should be trembling in my boots . Perhaps I am wrong ...
... literary genre of the novel . When I hear a friend , particularly if he is a young writer , calmly announce that he is working on a novel I am appalled , and I feel that in his case I should be trembling in my boots . Perhaps I am wrong ...
Pagina 54
... literary work belongs to a genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain ...
... literary work belongs to a genre . ( The theory of Benedetto Croce who denies the existence of liter- ary forms in this sense has left no trace in aes- thetics . ) A literary genre , the same as a zoological species , means a certain ...
Pagina 95
... literary form to absorbing elements alien to art . Within the novel almost anything fits : science , religion , sociology , aesthetic criticism - if only it is ultimately derealized and confined within the inner world of the novel ...
... literary form to absorbing elements alien to art . Within the novel almost anything fits : science , religion , sociology , aesthetic criticism - if only it is ultimately derealized and confined within the inner world of the novel ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth