The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 125
... live on it . Can we live on our classics today ? Is not Europe suffering from a strange proletarization ? The breakdown of the university in the face of men's present needs - the tremendous fact that the university has ceased to be a ...
... live on it . Can we live on our classics today ? Is not Europe suffering from a strange proletarization ? The breakdown of the university in the face of men's present needs - the tremendous fact that the university has ceased to be a ...
Pagina 130
... live with things , among things , the person who has to live , not any life but a particular life . There is no abstract living . Life means the inexorable neces- sity of realizing the design for an existence which each one of us is ...
... live with things , among things , the person who has to live , not any life but a particular life . There is no abstract living . Life means the inexorable neces- sity of realizing the design for an existence which each one of us is ...
Pagina 177
... Live alertly , " which would have been good ; but , " Live dangerously . " And this shows that Nietzsche , despite his genius , did not know that the very substance of our life is danger and that hence it is rather affected - not to say ...
... Live alertly , " which would have been good ; but , " Live dangerously . " And this shows that Nietzsche , despite his genius , did not know that the very substance of our life is danger and that hence it is rather affected - not to say ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth