The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 10
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
Pagina 77
... look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of ...
... look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of ...
Pagina 127
... look before such a court ? It might be suspected that he is the most question- able of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of the spiritual ...
... look before such a court ? It might be suspected that he is the most question- able of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of the spiritual ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth