The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 10
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay atter ion . Attention is a preference subjectively bestowed upon some things at the cost of others . I cannot focus on the first ...
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay atter ion . Attention is a preference subjectively bestowed upon some things at the cost of others . I cannot focus on the first ...
Pagina 127
How would Goethe look before such a court ? It might be suspected that he is the most questionable of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of ...
How would Goethe look before such a court ? It might be suspected that he is the most questionable of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consequence consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young