The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 10
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
Pagina 77
... look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of ...
... look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of ...
Pagina 127
... look before such a court ? It might be suspected that he is the most question- able of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of the spiritual ...
... look before such a court ? It might be suspected that he is the most question- able of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of the spiritual ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young