The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 10
In the first case we “ live ” with Charles the Fifth , in the second we look at an
object of art . But not many people are capable of adjusting their perceptive
apparatus to the pane and the transparency that is the work of art . Instead they
look right ...
In the first case we “ live ” with Charles the Fifth , in the second we look at an
object of art . But not many people are capable of adjusting their perceptive
apparatus to the pane and the transparency that is the work of art . Instead they
look right ...
Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
Pagina 127
How would Goethe look before such a court ? It might be suspected that he is the
most questionable of the classics , because he is the classic to the second power
, the classic who in his turn lived by the classics , the prototype of the spiritual ...
How would Goethe look before such a court ? It might be suspected that he is the
most questionable of the classics , because he is the classic to the second power
, the classic who in his turn lived by the classics , the prototype of the spiritual ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young