The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 47
José Ortega y Gasset. magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove . All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill ...
José Ortega y Gasset. magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove . All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill ...
Pagina 109
... possess a feudal constitution in which every element will maintain its personal rights . But here , slipping be- tween them , is a new object gifted with a magic power that permits it - even more - obliges it Point of View in the Arts 109.
... possess a feudal constitution in which every element will maintain its personal rights . But here , slipping be- tween them , is a new object gifted with a magic power that permits it - even more - obliges it Point of View in the Arts 109.
Pagina 110
... magic object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
... magic object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth