The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 5
... masses . Modern art , on the other hand , will always have the masses against it . It is essentially unpopular ; moreover , it is antipopular . Any of its works auto- matically produces a curious effect on the general public . It ...
... masses . Modern art , on the other hand , will always have the masses against it . It is essentially unpopular ; moreover , it is antipopular . Any of its works auto- matically produces a curious effect on the general public . It ...
Pagina 6
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
Pagina 11
... masses inasmuch as it is not art but an extract from life . Let us remember that in epochs with two dif- ferent types of art , one for minorities and one for the majority , the latter has always been realistic.3 I will not now discuss ...
... masses inasmuch as it is not art but an extract from life . Let us remember that in epochs with two dif- ferent types of art , one for minorities and one for the majority , the latter has always been realistic.3 I will not now discuss ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth