The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 14
... means to the painter who looks on impassively that it seems doubtful whether the two can be said to be present at ... means absolute , but at least practical and normative . As for the points of view of the four persons present at ...
... means to the painter who looks on impassively that it seems doubtful whether the two can be said to be present at ... means absolute , but at least practical and normative . As for the points of view of the four persons present at ...
Pagina 34
... means of ideas we see the world , but in a natural attitude of the mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the ...
... means of ideas we see the world , but in a natural attitude of the mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the ...
Pagina 106
... means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
... means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth