The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 29
... merely looking at them is de- light . Among such creatures , what business has the poor face of the man who ... mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself from the surrounding man ...
... merely looking at them is de- light . Among such creatures , what business has the poor face of the man who ... mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself from the surrounding man ...
Pagina 57
... mere allusion seems to me decisive in all art but very specially in the novel . The subject of Le rouge et le noir ... merely allude to this fact while Stendhal pre- sents it in its immediate and patent reality . Now , an examination ...
... mere allusion seems to me decisive in all art but very specially in the novel . The subject of Le rouge et le noir ... merely allude to this fact while Stendhal pre- sents it in its immediate and patent reality . Now , an examination ...
Pagina 134
José Ortega y Gasset. outside , making it a mere object . When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex ...
José Ortega y Gasset. outside , making it a mere object . When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young