The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 58
The concept “ red ” contains no red ; it is merely a movement of the mind toward the color of this name , a sign pointing in the direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of ...
The concept “ red ” contains no red ; it is merely a movement of the mind toward the color of this name , a sign pointing in the direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of ...
Pagina 132
If " vocation " is not taken to mean what it commonly does - merely a generic form of professional occupation , of the civil curriculum - but to mean an integral and individual program of existence ...
If " vocation " is not taken to mean what it commonly does - merely a generic form of professional occupation , of the civil curriculum - but to mean an integral and individual program of existence ...
Pagina 134
When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its execution , in being actually lived , and hence being never ...
When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its execution , in being actually lived , and hence being never ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consequence consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young