The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 30
... METAPHOR The metaphor is perhaps one of man's most fruit- ful potentialities . Its efficacy verges on magic , and it seems a tool for creation which God forgot inside one of His creatures when He made him . All our other faculties keep ...
... METAPHOR The metaphor is perhaps one of man's most fruit- ful potentialities . Its efficacy verges on magic , and it seems a tool for creation which God forgot inside one of His creatures when He made him . All our other faculties keep ...
Pagina 31
... metaphor disposes of an object by having it masquerade as something else . Such a procedure would make no sense if we did not discern beneath it an instinctive avoidance of certain realities.1 10 In his search for the origin of the metaphor ...
... metaphor disposes of an object by having it masquerade as something else . Such a procedure would make no sense if we did not discern beneath it an instinctive avoidance of certain realities.1 10 In his search for the origin of the metaphor ...
Pagina 34
... metaphors by way of ornament ; now the tendency is to eliminate the extrapoetical , or real , prop and to " realize " the metaphor , to make it the res poetica . This inversion of the aesthetic process is not re- stricted to the use ...
... metaphors by way of ornament ; now the tendency is to eliminate the extrapoetical , or real , prop and to " realize " the metaphor , to make it the res poetica . This inversion of the aesthetic process is not re- stricted to the use ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth