The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 34
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
Pagina 35
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
Pagina 36
... mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject , Pirandello's drama Six Per- sonages in Search of an Author is , from the point of view of an aesthetic theory of the drama , per- haps one of the most ...
... mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject , Pirandello's drama Six Per- sonages in Search of an Author is , from the point of view of an aesthetic theory of the drama , per- haps one of the most ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young