The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 34
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
Pagina 35
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
Pagina 36
... mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject , Pirandello's drama Six Per- sonages in Search of an Author is , from the point of view of an aesthetic theory of the drama , per- haps one of the most ...
... mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject , Pirandello's drama Six Per- sonages in Search of an Author is , from the point of view of an aesthetic theory of the drama , per- haps one of the most ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth