The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 7
Each move among men so obviously reveals the opposite that each move results
in a painful clash . If this subject were broached in politics the passions aroused
would run too high to make oneself understood . Fortunately the aforementioned
...
Each move among men so obviously reveals the opposite that each move results
in a painful clash . If this subject were broached in politics the passions aroused
would run too high to make oneself understood . Fortunately the aforementioned
...
Pagina 74
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this “ remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this “ remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
Pagina 79
... us on very different purposes . In a concert a piece of music falls flat that , when
a blind man plays it in the street , may move our heart . It is evident that man ' s
destiny is not primarily contemplative ; hence the best condition for contemplation
...
... us on very different purposes . In a concert a piece of music falls flat that , when
a blind man plays it in the street , may move our heart . It is evident that man ' s
destiny is not primarily contemplative ; hence the best condition for contemplation
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |