The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 73
... never appearing sham and conventional . The reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it ...
... never appearing sham and conventional . The reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it ...
Pagina 128
... never question themselves about Goethe , never put Goethe in question , never work underneath Goethe . The frequency with which they use the words " genius , " " titan , " and other contourless vocables which everyone except Germans has ...
... never question themselves about Goethe , never put Goethe in question , never work underneath Goethe . The frequency with which they use the words " genius , " " titan , " and other contourless vocables which everyone except Germans has ...
Pagina 134
... never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its point of view . We are a little tired of the statue of Goethe . Penetrate ...
... never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its point of view . We are a little tired of the statue of Goethe . Penetrate ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young